Standard Chartered backs SAM’s first major Hiroshi Sugimoto survey in Southeast Asia

Standard Chartered has announced its first sponsorship in arts and culture, coming on board as Principal Supporter of Hiroshi Sugimoto: Form Is Emptiness at Singapore Art Museum (SAM). The exhibition, on view at SAM at Tanjong Pagar Distripark until 11 October 2026, is the internationally acclaimed artist’s first major survey exhibition in Southeast Asia.

Visitors viewing Hiroshi Sugimoto's Accelerated Buddha installation at SAM
Hiroshi Sugimoto, Accelerated Buddha, 1997-2017. Image courtesy of the artist and Singapore Art Museum

The partnership marks a new direction for the bank, which has built its sponsorship portfolio mainly around sport through ties with Liverpool Football Club, Formula 1 and marathon events. Patrick Lee, CEO Singapore and CEO ASEAN and South Asia at Standard Chartered, said partnerships across the public and private sectors play an important role in sustaining a thriving arts industry, and that the bank was pleased to help bring Sugimoto’s work to a wider audience.

Fifty years of work across photography, sculpture and installation

Bringing together 63 works from 11 series, alongside 14 fossils from the artist’s own collection, Form Is Emptiness traces five decades of Sugimoto’s practice. Though best known for his photography, his output spans sculpture, installation, writing, architecture and calligraphy, all treated as extensions of the same photographic thinking about time, space and perception.

Key visual for Hiroshi Sugimoto Form Is Emptiness exhibition at SAM, 29 May to 11 October 2026
Image courtesy of the artist and Singapore Art Museum

The exhibition title borrows a line from the Heart Sutra, a foundational Buddhist text, and the idea runs through a wall-sized calligraphy installation of the sutra’s characters that visitors walk alongside as they move through the galleries.

A mandala-shaped route through the show

Designed by Sugimoto himself, the exhibition layout takes the form of a mandala, the circular geometric figure that represents the universe in Hindu and Buddhist symbolism. Rather than a single linear route, paths branch, loop and reconnect, so visitors are free to move through the show at their own pace and in their own sequence.

Hiroshi Sugimoto's Heart Sutra calligraphy wall installation at SAM
Hiroshi Sugimoto, Brush Impression, Heart Sutra. Image courtesy of the artist and Singapore Art Museum

Among the installations is Spacescape, a series of illuminated panels showing the curve of the Earth against deep space, alongside benches that invite visitors to sit and take in the scale of the work. Eugene Tan, CEO and Director of SAM, said the museum was pleased to have Standard Chartered as Principal Supporter of a show that brings together five decades of Sugimoto’s practice and deepens public engagement with contemporary art.

Sugimoto was born in Tokyo in 1948 and splits his time between Tokyo and New York. In 2008 he founded the New Material Research Laboratory, and in 2009 established the Odawara Art Foundation, a nonprofit that promotes traditional Japanese culture and performing arts.

Hiroshi Sugimoto's Spacescape installation of illuminated panels at SAM
Hiroshi Sugimoto, Spacescape, 2024. Image courtesy of the artist and Singapore Art Museum

Hiroshi Sugimoto: Form Is Emptiness is on at SAM at Tanjong Pagar Distripark until 11 October 2026. It joins other exhibitions on at SAM this season, including SAMCollection: The Present is Unstable, while over at the Asian Civilisations Museum, ACM Adventures: Patterns & Prints offers a family-friendly programme for younger visitors.

Priya Raman
Priya Raman
Priya Raman is Little Big Red Dot's Culture, Arts & Community Editor. She is the team's storyteller for the things that move people — art, music, theatre, heritage, festivals, and the diverse communities that make Singapore vibrant. She writes with passion, depth, and a genuine love for the arts.

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